An excerpt from Pink Floyd's "The Wall":

As the assignment was to post an animated sequence we particularly liked, I was tempted to post either the final fight scene from Bones Studio's Sword of the Stranger (2007) or "Hellfire" from Disney's The Hunchback of Notre Dame (1996), but nothing was as jaw-dropping to me as when I saw the last part of the "Empty Spaces" animated sequence in The Wall (1982).

Holy shit. When the face stretches and breaks out in disease, and the abstract figure of a woman morphs from that and then everything starts morphing and...wow. What especially blew me away was the amount of detail in every frame. Every line is exactly where it should be.

I WANT TO BE ABLE TO DO THIS.